Radio Show Hour 1 – 2026/06/06

[00:00:01] You're listening to the Liberty News Radio Network, and this is The Political Cesspool. The Political Cesspool, known across the South and worldwide as the South's foremost populist conservative radio program. And here to guide you through the murky waters of The Political Cesspool is your host, James Edwards.

[00:00:31] I'm not sure, folks, if we've ever had a busier show than this. This is going to be a power-packed broadcast of TPC. Every second is going to have to carry freight tonight. A little later on in the program, you're going to hear once again from mainstay guest Mark Weber. He's going to be updating us on President Trump's decision to join Israel in that war in Iran.

[00:00:57] Where it stands here as we head into June, a female comedian of the right making her debut appearance. You probably know the one. In the third hour, she'll be with us for the first time. But even before that, right now, we're going to take a quick trip back to Europe coming up later this hour. British activist Nick Scanlon is with us for the second time in as many weeks, although this time not calling in from Portugal at the Remigration Summit. He's back in London to talk about the murder of Henry Novak.

[00:01:26] But even before that, right now, indeed, we go to Germany where Sasha Rossmuller has always been such a mainstay guest for our March Around the World. Anytime we need to know what's going on in Germany, we call Sasha. But he, of course, is multi-talented and multifaceted as an author and an activist and a journalist in his own right. He's got a brand new book out that we are all too happy to help him promote. And it's one we want to tell you about right now before we get to the rest of it.

[00:01:56] Sasha, welcome back. Welcome. Thank you for having me. And I'm pretty excited discussing this topic today. Well, I have read your book. We are even offering it as an incentive gift for our second quarter fundraiser here at TPC. And the more I read and the more I began to think about the line of questioning I would present to you tonight, the more I regretted that we didn't book you for a full hour. But we've got you for 30 minutes tonight. And so let's just get started. Brand new book out. It's creating some buzz.

[00:02:25] It's called Culture, Aesthetics, and Identity, Blossoms of the Occidental World. Easiest question first. And we'll move with great haste because I've got a lot of them for you in a limited amount of time. What inspired you to write this book? Yes. I personally was looking for a book of that kind by myself but didn't find one.

[00:02:48] And so I decided to write one by myself from this particular perspective to describe the cultural highlights of the Occidental world from the identitarian perspective. And I think it was the question behind it. How can we fight foreign infiltration and the alienation of ourselves if we don't know who we are?

[00:03:16] The question of the Apollo-Delphi temple in Delphi, Knopfisiauton, recognize yourself. And moreover, I think it's much more enjoyable and fulfilling to discover our Occidental history along its cultural highlights than only always alongside the bloody wars where we cut each other's throats. Well, that's absolutely right. And, again, this is a different kind of book.

[00:03:44] We have promoted, and for good reason every time, so many different titles over the years here, so many different authors, all of them worthy. But this is something that will inspire you in a different way. And we'll talk a little bit more about that. But first, let me get to my next question. You describe culture as an aesthetic manifestation of our identity for community-oriented beings with a tribalistic tendency. Can you elaborate on that central idea?

[00:04:14] Yes. First of all, I wanted to show that we, in this over-individualistic times, that this is a wrong view of the human being. The human being is not the individual person alone. Aristotle already knew that and wrote about the so-called so-on politican, the community being.

[00:04:40] And if we talk about identity, which is a central topic of this book, we can go back to that term in an etymological way from Latin. Edem, edens, the same, ens, entis, the being. Identity has not only with personal, individual identity aspects in common.

[00:05:06] Its identity is always about community. But the real image of man is, however, not the global mass man. It's the, as you called it in your question, the tribalistic tendency. And I think this, as with this aesthetic manifestation, it's about, I come back to this recognize yourself.

[00:05:36] This, the self-recognition is a process. A process, and so far, is skilled craftsmanship. And beauty teaches us what we are able or what we should be able to become.

[00:05:53] So, identity is also, as an evolutionary process, not to stop where we are or to make regressions, but to get this aesthetic and that beauty as an incentive to, for a refinement of our own skills.

[00:06:15] People talk all the time about optics, and it's become a little cliche, but it is very important when you're talking about aesthetics. You can look at the art and the architecture of our civilization going back to ancient Greece and ancient Rome and throughout the Renaissance. And you see things so beautiful, it brings you to your knees. It stirs your spirit. It stirs your soul.

[00:06:41] And you contrast that with the brutalism of some of our ideological opponents. And just, you know, it's a manifestation or something that I think reflects one's soul. And the soul of the European people is something your book certainly focuses on. So, let's again explore that a little bit further.

[00:07:01] How do aesthetics serve as a condensed expression of collective self-understanding and even identity formation in European nations and traditions? That correlates to the aesthetic sensibility or perceptivity.

[00:07:18] If you look at the artifacts, you can easily see that, for example, the European kind of man has another aesthetic view and aesthetic sensibility as, for example, a sub-Saharan African man has. And so, the condensed, the representation of that aesthetic sensibility expresses our self-understanding.

[00:07:46] And moreover, art is also always a mirror image of its time. And through the history and times of history, art and culture oftentimes mirrored the particular societal development and discussions or the evolution of the particular communities by which it became a kind of a part of our cultural DNA. And today, it's not a matter of fact.

[00:08:17] We no longer can be taken for granted our distinctive character of characteristic nature. And so, it's about the testimonies of our culture because two things. Identity cannot survive. First, an ethnic replacement, which would be a damage beyond repair, irreversible. And as a second, the disappearance of its past on cultural artifacts.

[00:08:47] And that's meant, I think that's in short, the answer to your question. And I think it's a fantastic answer. And as I was pointing to earlier, you can read books on any given political issue. And they're very important. It is very important to do that. One example, say, Death of the West by Pat Buchanan. It helps sharpen your arguments.

[00:09:15] It reinforces one's beliefs. It helps inform them. These are important books, these books on ideology. But when you are doing what you've done here, it's a different kind of inspiration. I was reading your book, and I was looking at the illustrations. And you just feel your chest swell. You take that sharp breath because you are so proud to be a part of that collective. And this is what your book does.

[00:09:41] We are talking about the book Culture, Aesthetics, and Identity, Blossoms of the Occidental Word with its author, our friend, Sasha Rossmuller, live in Bavaria, Germany tonight with us. And this looks at our people through the lens of universally admired works of art. So I would ask you this. What role do these universally admired works of art play in expressing and reinforcing our cultural identities?

[00:10:10] I think they are very important points of orientation, which connects the social atoms in this hyper-individualistic world. And they not only connect the contemporaries. It's a generation-spanning connection, I think.

[00:10:37] And on the other hand, it's the admiration. And if you contemplate in front of such artifacts the admiration to marvel like a child,

[00:10:55] I think that is a very special feeling which makes us better people becoming more attention for what is really relevant. Or to talk with Friedrich Nietzsche, it's this feeling. It's not the ecstasy of decadence, but it's more, as Nietzsche described it, the peak of ravishment.

[00:11:22] And this, to marvel in awe, that thrill of pressure gives some mystery of joy. And if you contemplate for a longer time, a perception of meaning. And I think that's very important in these days, most of all. Continuing on in our discussion with Sasha Rossmuller, I was preparing these questions,

[00:11:50] and I emailed them to Sasha just before the show started. And I said, let's do a print interview on this as well. And we're going to be answering some of these same questions. And it's going to come out in either the American Free Press or Barnes Review. We'll get Kevin MacDonald to post it at the Occidental Observer. I just think that this book is so different and so stirring in a unique way that we need to do everything we can to promote it. I ask you this sort of just to satisfy my own personal curiosity,

[00:12:17] because you've put in the work to compile this collection of examples that we're discussing in this book. Which specific historical periods or artists or architects or cultural expressions throughout the different eras and epochs of Western civilization, be it the classical, medieval, the Renaissance, or even national folk traditions,

[00:12:45] do you highlight as prime examples of aesthetic identity in the book? And which are your favorites? Yes. Here I'm a typical chairman. In this book, to spoiler for the audience, there are also chapters with the art scenery during the Third Reich in Germany or during fascism.

[00:13:08] But my favorite period is, as a literary expert and a philosopher in Germany once said, it's the period with which the Germans in general have a special affair. It's the period of Romanticism. And that's indeed my personal favorite as well. And why is it my favorite?

[00:13:32] I think the Romanticism, this time, is the correction of the soulless, hyper-exaggerated rationalism of the Enlightenment, but without discarding the letter's achievements. And what I really love in Romanticism is the sensual mysticism around nature.

[00:13:58] And I think I had, in that context, one could also mention some southerners. I think this connection to the soil, to countrymen, to folk, and I often told in our shows that I'm in the south of Germany, a Beaverian. I'm also a southerner. I think we have some similarities here. I like how you put that, yes. I like how you put that.

[00:14:27] You are a southerner as well, in your own unique way there in the south of Germany. But, again, folks, we are featuring this as one of two special incentive gifts in our second quarter fundraising drive. If you are a regular donor by now, you should have received in the mail a snail mail letter from us. Check it out, and you'll know how you can get an autographed copy of this book that we are talking about,

[00:14:53] The Last Culture, Aesthetics, Identity, Blossoms of the Occidental World, with Sasha's signature in it. I've got them here. They are ready to go. But I want to move quickly as we can, Sasha. We have these important questions. They've all been important, but ten more minutes, and I want to get as many in as we can. In what ways has modernity or globalization impacted the organic link between culture and aesthetics and identity that you're exploring in this book?

[00:15:20] I think that modernity is, first of all, to a huge part, a political project. I didn't know how far this goes when writing this book, because quite recently I found an article, I think it was from the end of the 90s, how the CIA, in the struggle between the political systems with the Soviet Union,

[00:15:45] how the CIA promoted modernity and modernism in art. And I think the zeitgeist art of art business from today, yeah, it's a business. It's elite promoted business, and it's not a vocation.

[00:16:08] And cultural activity and art has to be a vocation. And today it's more a fact that showmanship lacking in contemplative depth,

[00:16:26] and that's why it's often so disgusting and one becomes stress hormones when engaging in the zeitgeist art. We've talked about, and you've even mentioned already the word collective, you know, tribal identity, and we're always talking about individualism versus collectivism, the individual versus the collective. And, of course, for us to survive, for our people to survive, we're going to have to be more collective and less individualistic.

[00:16:57] But what is your opinion on the tension between individual creativity and collective and tribal identity in the production of culture? I think it's not in – this tension generates creative energy. So this tension is a good tension if understood rightly.

[00:17:26] And what I mean with this is community and the individual should not be viewed as opposites, but rather as complementary, two sides of the same coin, and understood not in this polarizing way as it is mostly done by the self-shared elites today, but seen as complementary.

[00:17:55] Then that tension generates the creative energy, I think. Well, how do you think, Sasha, we as the different expressions of Western kind, whether we be Germans or British or Scandinavians or Italians or Americans or wherever,

[00:18:20] how do we, as one people, preserve and revive and continue to create culturally authentic aesthetics in the 21st century, where we have been so damaged by globalism and a lot of that unique individual – I say individual in a collective national sense, but has been sort of muted.

[00:18:48] How do we continue to create beautiful works of art that is fitting of European mankind in today's general and global community? I think there's only one way to start engaging in culture and art and becoming interested in it. Just as an athlete trains his muscles, so should a cultured person refine his taste?

[00:19:16] And maybe to give an advice or recommendation, let me give one quote from Goethe's educational novel, The Wilhelm Meister, where the figure of the theater director, Serlo, is quoted by Goethe, where every day one should hear at least one little song, read a good poem, see an excellent painting, and if possible, say a few sensible words.

[00:19:46] And if my book provides inspiration for that, it will have already fulfilled much of its purpose, I think. Well, listen, it certainly prompted this conversation, and it is something that I think people need to be revisiting. And I love how you put it, whether it be a play or an opera or a great oratory, a composition, a statue, a sculpture.

[00:20:12] You call these things, these artistic expressions, blossoms of the Occidental world, which is to say blossoms of Europe, European kind. Give us just an example or two that readers might find particularly illuminating. I think, as we had with Goethe, for example, and we can take then one of the English-speaking world,

[00:20:40] the cultural relationship between Goethe and, for example, Lord Byron and their intertextual relations, I think that can be very illuminating and as well surprising. Or I think what can be illuminating, because usually one doesn't hear about it much or hears nothing about it, is the arts, scenery, and activities during the Third Reich in Germany.

[00:21:06] That can be illuminating, because usually one doesn't hear anything about that. Or maybe an example of what could be surprising. It could be surprising what excellence some geniuses had, although lacking higher education, or, for example, the philosophical depth of some rural vernacular writers in their stage plays for the ordinary folk.

[00:21:32] That can be surprising if one engages a little bit more, a depth of a little bit more deeper in that issue. Sasha, we are beginning to run out of time, and as I suspected, it has gone by far too quickly when talking about this book. And folks, if what we have discussed tonight has not piqued your interest, well, check your pulse number one, but the cover of this book perhaps will, if nothing else does.

[00:22:02] Pretty provocative cover on this book, Sasha. Tell the folks what it is. Yes, I can explain. It's an artwork from a very famous sculpture. It's a sculpture of Thorak from the Third Reich, which is called Two People. And these people show the phenotype of our race. And the sculpture is still existent in Munich, but not shown publicly. It's in the Keller, locked up.

[00:22:30] And that's why I wanted to make it publicly. And it's a sculpture of two European, it's a European couple naked, but it's aesthetic, beautiful, without any obscenary. And it's from a famous sculpture from the Third Reich. It's beautiful. It is a fitting cover for a book that we want everyone to have.

[00:22:58] If you want an autographed copy and you're a TPC donor, go to our website for more information. If you received your quarterly update letter in the mail, check it out. This is a book you'll want to have. But for everyone else, Sasha, how can they get it? Up to now, they can get it from the publishing company Deutsche Stimme, the Deutsche Stimme shop. You can find this link also on my X account.

[00:23:25] And I'm talking, I'm now discussing with one in Britain. I hopefully, they will put it to the assortment. And if this show helps that some from the USA get in touch with me, being interested to take that book in their, if a bookshop in their assortment, I'll give a good retailer discount. And I would be happy if someone gets in touch with me to do it also in the assortment from America.

[00:23:54] But right now, in my X account, you can find the link from the German publishing company, which also sells the English version of that book. Yes, we actually got an email a couple of weeks ago, I guess it was, from one of our listeners right here in the local area, right here in Memphis, on AM 1600. And he was asking, is this book available in English? I've only been able to find it in German. Well, it wouldn't do us much good to promote it to you if you couldn't read it.

[00:24:22] So yes, it has, an English translation has been made available, thanks to Sasha, originally published in German, but also in English. And it was a great question from our listener, because a lot of the things you find online is the German language version. But yes, there are English language translations. That's what we have. We have signed copies. And if you want an unsigned copy, you can find it. Sasha, thank you so much. We'll be talking to you again soon about getting this interview in print.

[00:24:52] Your daily Liberty Newswire. You're listening to Liberty News Radio. News this hour from Town Hall. I'm Mary Rose. A tragic update about an American student who disappeared in Japan. The body of the Auburn University student who went missing in Japan has been found. 20-year-old James Weston Higginbotham went missing a week ago on a family vacation.

[00:25:18] His mother tells Fox News the family members separated after some bickering, and Weston took a train to go on a hike and explore. His cell phone went dark, and then a massive search had been ongoing. His parents say Weston loved nature and was an avid hiker. Correspondent Laura Winters reporting. Authorities in Japan say Higginbotham was found by a volunteer search and rescue group in a mountainous area outside of Kyoto.

[00:25:44] Female Navy officers say they fear a career cap after Secretary of War Higginbotham cuts women from promotions list. Several female Navy officers say they see Defense Secretary Pete Higbotham's recent intervention in a promotions list as a sign their careers now have a ceiling. The Navy had selected 31 sailors to promote from the rank of captain to one-star admiral. But Higstead cut nine people, including all three women, from the list.

[00:26:12] That's according to a defense official who spoke on condition of anonymity. The Associated Press spoke with eight female Navy officers. They say they now worry for the future generation of female military leaders. The Moore junior officers say if they rose too far in the ranks, their careers could become politicized. I'm Julie Walker.

[00:26:31] There are reports that foreign-linked social media campaigns may be shaping local fights over U.S. data centers, multiple AI industry groups, Republican lawmakers, and policy watchdogs allege China-linked accounts are amplifying opposition to data center projects online, prompting calls for a congressional probe. More on these stories at townhall.com.

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[00:29:57] A week ago tonight, at this exact time, British activist Nick Scanlon was on the program with us live from Porto, Portugal, where he gave an hour-long riveting recap and review of the Remigration Summit.

[00:30:27] And I enjoyed that hour. A lot of you apparently did as well, number one, because Nick's a great guest, and number two, because it was such an impressive. It was an important event, and to have somebody live on the scene taking notes and reporting from it is very nice for a live talk radio program to be able to have. Well, that was last week in Portugal.

[00:30:48] Tonight, a week later, exact same time, we have Nick Scanlon with us again this time back home in England, but unfortunately for a much more disturbing topic. But before we get into that, Nick, I just want to thank you for coming back on with us for the second time in as many weeks. I always look forward to talking to you again. Didn't think it would be quite this soon. No. Good evening to everybody listening. Good evening, James. No, I didn't myself.

[00:31:17] Obviously, this week, the vibe is very different. Last week was very positive. There was a lot of energy flowing. And then literally, I landed home on the Monday, and then on the Tuesday, this was made public all over the news, all over social media, and it went worldwide. And hence, you messaged me there on Thursday. Well, I'll tell you.

[00:31:41] The invitation actually was prompted by our audience and received a message asking if we could have you back on to address this. And it was just the light bulb went out. I had intended to talk to Nick Griffin about this and will, but he's scheduled to come on on the June 20th broadcast. And this was something I felt like we did truly need to move to the forefront and to the head of the line. And, again, thank you for accommodating us and helping us do that.

[00:32:09] Well, what we're talking about, of course, is the killing of Henry Novak. And just a quick background. One of the contributors, Mark Gullick, on Countercurrents wrote a pretty good synopsis of this story. If you don't know what we're talking about, Henry Novak was an 18-year-old Englishman. He was studying for a degree in accounting and finance at Southampton University in England.

[00:32:33] And on the evening of December 3, 2025, about seven months ago, he had gone into town to meet with fellow members of his university football team. And while he was walking home, he had an encounter with 23-year-old Vikram Digwa, a Sikh man. And an altercation ensued in which Henry was stabbed five times by Digwa. The weapon used was an eight-inch knife.

[00:33:04] And two phone calls were made. One neighbor heard the altercation and called the police to report that someone had been stabbed. Digwa's brother, Gupreet, also called the police. And here are the first two lines of that call as the transcribed lines are spoken by the brother. Digwa's brother says, hello, police emergency. We've been attacked by someone racially.

[00:33:31] We just got attacked racially by some white person. So basically, I think what was happening there, Nick, is that these non-whites, these non-English people who are walking around in the middle of the night with eight-inch daggers, allege that Henry Novak said something racial to them. Now, whether he did or didn't, that doesn't constitute a death sentence. Let's just imagine that he did not, which is probably exactly what happened.

[00:34:01] No, the police... Yeah, go ahead. Sorry, James. The police themselves have said that nothing racial was said whatsoever. So we know that Henry was out for the night with a group of friends. He was at a bar. He left quite early. The post-Moulton result, his blood results from the post-Moulton showed that he was way below the drink drive limit. So it wasn't as if he was extremely intoxicated, going around hurling out abuse.

[00:34:30] We know that he walked down the road where he encountered the two Indian Sikh brothers. Words were exchanged. Nothing racial was said on Henry's behalf. An altercation took place. And we have... We've got three minutes of police body cam footage. That's all we've been given. But fair play to the mother and father, they're the ones actually pushed it to be released to the public.

[00:34:57] Now, me, you and your listeners, we all know that crimes like this happen. Tens of thousands of our people across the Western world fall victim to non-whites every year. But very few of them really get documented the way this one has. And the reason why it has is because of the family has pushed for the body cam footage to be released. It has been released.

[00:35:24] But five minutes of footage has not been released from Vikram's phone, the murderer's phone. So what was said in those five minutes, we'll probably never know. But it wouldn't surprise me if something racially was said on Vikram's behalf, Diggle's behalf, because we've not been shown that footage yet. That footage went out. It absolutely enraged the population over here.

[00:35:53] There was disorder on the Wednesday night in Southampton. There's been six arrests and four of those six are young fellas. One was 18, one was 19. I think two was in their early 20s. And they've all pled guilty, which sort of brings back memories of Southport and getting arrested and pleading guilty straight away. But that's where we are. But it has gone viral, as you know.

[00:36:22] I've seen that the White House has commented on it. J.D. Vance brought out a strong tweet last night. A little bit ironic because he's married into an Indian family, and he talks about the demise of Western civilization. But nonetheless, at least he has made a comment a lot stronger than our leaders have. Again, folks, we are talking with Nick Scanlon now. And as we introduced him last week, he is a long-term and well-established British and pan-European activist,

[00:36:49] a former candidate for the mayor of London. He's been active and on the scene there for years and years and years and a longtime friend of this program. But, yes, I mean, so many questions still to look into to further examine this murder. I guess one would be the fact that the police put Henry, the victim, in handcuffs first.

[00:37:15] And while he was literally bleeding out and begging for help, they basically catered to the other. What has been the reaction to how the police handled that situation in real time on the scene that night? Well, for the first time I can remember, there's actually mainstream coverage in which the headlines read and acknowledge anti-white racism.

[00:37:38] And the Telegraph, the Sky News, which is centre-left, should we say, they have both acknowledged, does anti-white racism exist? I think the Telegraph wrote a... They put out today that anti-white racism does exist and it must be crushed. So, you know, again, we are... It's horrific what has happened.

[00:38:03] But nonetheless, a reaction has come about from not just, you know, right-wing conservative activists and some politicians, but some of the mainstream media are now finally acknowledging it because it was caught on camera. And you're right, you know, he was arrested for, quote, racism, unquote. Laying there, literally his lungs were being filled up with blood. And he was saying to the policeman, I've been stabbed.

[00:38:32] And in a very, very sarcastic way, the policeman says, I don't think you have, mate. And all the while, the murderer stood there beside him with... Apparently legal. He gave the weapon to his mother. But over here, we have 2 million... The population of Indians is 2 million. So they're the largest non-white ethnic group in the country. But out of that 2 million Indians, 500,000 of them, a quarter, are Sikhs.

[00:39:02] Now, Sikhs are the only ethno-religious group in the country that can legally... That are permitted to carry blades, daggers, ceremonial knives, however you want to call them. They are legally permitted to carry them. So if a Sikh gets stopped in search and he's found with some sort of knife or dagger on him, on religious grounds, he's clear. So what Diggard was carrying...

[00:39:28] What Diggard was carrying that night was a perfectly, quote, legal weapon. Well, I mean, you know, maybe you should be able to carry a dagger or a scimitar if you want to. I mean, I'm a gunslinger here in America. You know, you can carry guns. But, but... We don't have that privilege. Again, it's the people that I'm more worried about rather than... I mean, but... And it begs the question, though. Why is a Sikh walking around, you know, after midnight on the streets of London carrying this thing?

[00:39:58] And what does he need it for? What is he going to do with it? Well, let me ask you this. I got a lot of questions. We're already down to the last 15 minutes. The floater breaks. So much stuff we want to work in. But I would just ask you again, you know, going back to the fact that this happened on December the 3rd of last year, seven months ago, almost seven months to the day. Why now? I have heard drips and drabs about this for weeks. And, you know, it's a shame you get numb to it.

[00:40:26] But you just say that's just another victim of diversity. And it's tragic. And it's awful. And it's heartbreaking. It's heartbreaking. But you continue on because what else can you do? But all of a sudden, this has just really exploded. Why now? Why here this first week of June after seven months has this thing just really taken on a whole new life of its own in terms of coverage? The release of the body cam footage, I'm assuming. Yes.

[00:40:53] Well, the court case come to an end on Tuesday. So when I spoke to you last Saturday, we knew who he was. We knew it was in court. We knew the name. But we wasn't really we wasn't we wasn't all familiar with the circumstances that surrounded the death, the death, because obviously it was still going through the courts. The jury hadn't made up their mind. But once a verdict had been reached, then the body cam footage was released.

[00:41:18] And, you know, had this murder happened 10, 20 years ago, we may never have seen a fraction of the population may never have seen the conditions in which poor Henry died in. But because social media is such a thing nowadays, the mainstream media quite simply couldn't couldn't hide it. They had to they had to acknowledge it and they put it out.

[00:41:44] And they basically the whole population, the whole world has seen it now. But at the time, James, no, December, January, February, March, we hadn't heard of the name Henry. So it's a convergence of this court case wrapped up a few days ago since last week, I guess. And the body cam footage has been released. And now everybody's talking about it.

[00:42:13] Of course, you know, 25 years ago, Nick, at the turn of the century, nobody would have known about this. There was no social media. It would have never it would have just been another forgotten white person that had been murdered as a result of diversity. Nobody would have heard about this outside of maybe a few locals in his family. So, I mean, in that way. I don't want to say that's that's a good thing, but I mean, that is something that I think is noteworthy that 25 years ago, nobody would have heard about it.

[00:42:41] Now everybody's talking about it and it raises awareness. And that raising of awareness could save lives. It could save lives. You see somebody coming that looks like this, you you steer clear or better yet, get them out of the country entirely. But it's very similar to the murder of Arena Zaruchka here in the United States at the hands of this, you know, feral black man where she was stabbed and died on the spot.

[00:43:10] You know, where she's where she sat and in Henry's case where he stood. How do we keep this? How do we prevent this from just becoming another passing fancy? Now, these are the two. These are two examples that broke through to widespread knowledge. And but at the same time, you know, there's been no lasting change as a result of Zaruchka's death. Not yet.

[00:43:32] We don't want this to be another case where, yes, it did elicit an increased volume of outrage, but ultimately nothing was done. How can we take these people, these martyrs and. Effect the change that will prevent this from happening to others. Yeah, we get the thing that makes this case slightly unique is the way it was policed.

[00:44:00] Now, had had it been the other way around and had it been the the Indian fellow on the floor saying, I can't breathe. I've been stabbed and a white man standing over him, a white boy standing over him. Then the police would have arrived with a completely, completely different mindset. But the fact is, Diggwa's brother was was phoned the police. He said we'd been racially abused. So as soon as the police turned up on the spot, these police were programmed through DEI training.

[00:44:28] They've been programmed to always believe that the white, the white will be the racist and the non-white will be the victim. So they turned up even though Henry was laying there literally struggling to breathe. And the Sikh was complaining that he had a swollen eye and that his turban had been ripped off. And the policemen. So so what we've got to deal with here and what the real poison in this situation was how anti-white the police are.

[00:44:54] And I've said it for years. People say, you know, conservatives say, oh, the police, they're not institutionally racist. No, so they are institutionally racist. The police are institutionally racist against white people. And this is this is a prime example. And as I as I refer back the night after the verdict, we saw we saw some, you know, I wouldn't I wouldn't call them riots. We saw some disturbance. But we saw hundreds of English, hundreds of English women and men.

[00:45:24] They were chanting, take the knee to the police, because that's what police done all across England, all across America. After George Floyd, they took the knee for George Floyd, who was a scumbag. You know, more history about George Floyd than I do. But they wouldn't for Henry. And then tensions got a little bit higher and things broke out and you saw riot police. And I've sent you the video the other day, James, and I retweeted it. A lot of your listeners have probably seen it as well.

[00:45:53] The riot police come out with their batons and their shields and started firing into the protesters. Now, we never saw that during the BLM riots. Never saw we never saw in London. There was no riot police. They didn't they didn't deploy the riot police. They just deployed uniformed mannequins. So they were. So the spotlight at the minute is how anti-white the system is and how it how it operates.

[00:46:19] Well, I'll tell you, this is there's two things I have to be sure to ask you about before this. Last eight minutes expires, and I'll start with this, though, and then I'll get to a comment from Rupert Lowe, which is one of the most powerful things I've ever heard an aspiring leader say. But it really does seem, Nick, that the UK is a tinderbox positioned underneath a powder keg.

[00:46:47] I mean, this is the third summer in a row where things have really just kicked off. You go back a couple of years ago and, you know, there were roving bands of whites on the streets trying to find these hotels and complexes that were housing all of these people. And then last year, you know, there was some more. I believe our friend Sam Dixon was over there last year and he even saw on the streets, you know, people getting worked up.

[00:47:12] I mean, white people, you know, sort of just really expressing their frustration. I mean, you even had that little girl who had to walk around with a battle axe to protect her siblings. Yeah, you know, some of these people. So there's been a lot going on in the UK in recent years. I mean, do you really believe, I mean, does it feel, I guess we can never truly know until something happens, concrete,

[00:47:36] but does it feel as though there's just something bubbling up underneath the surface that is ready to have some sort of volcanic expulsion? It does. And it's almost like every summer now. And there was another headline today that said, how bad will white rage get? That was also from the Telegraph. And it feels like definitely the last few summers now, we're talking the last three or four summers,

[00:48:02] there has been significant white backlash across England and parts of Northern Ireland, Scotland. If it is... I can't see it. I can't see it calming down. No, I really can't see it calming down. Well, if you would liken all of that popular rage into a tsunami, there seems to be a man trying to grab a surfboard and ride it, ride that wave. And that's Rupert Lowe.

[00:48:32] This is a pretty remarkable statement here. I'll read it verbatim. This is a direct read from Rupert Lowe's Twitter account a couple of days ago. For those mainly Pakistani men who have inflicted the very worst pain imaginable on innocent British children, please know this. There will come a day when the power of the British state that concealed your atrocious crimes for so very long is turned against you. It will be swift. It will be brutal.

[00:49:01] It will be severe. Because if restored Britain gets a sniff of power, there will be a reckoning. I promise you that. We will show you the same mercy you showed our girls. Your race or religion will not protect you any longer. A message will be sent that is heard right across the world. If you rape our children, you will pay for it, and you will pay for it with everything. That is what restored Britain will do. So that's not necessarily directly related to the Henry Novak murder, but other actions very similar to it,

[00:49:30] rape, robbing, pillaging, killing, stabbing, maiming. Do you believe there's any chance that there's going to be a breakthrough on that level? Because it's going to have to be on that level. There's no revolution that is truly bottom-up. It's always top-down. Somebody like this is going to have to get in and then really do the things they promise. Yes. I mean, electorally, as we've discussed before, it would be very hard for Rupert to gain power through the ballot box. Nigel Farage is an opportunist.

[00:49:59] He has been speaking very strongly about this murder. But yet, you know, Rupert Lowe and restored Britain have been putting out some fantastic stuff recently. There is a by-election coming up on the 18th of June. So not long now. We hope they can poll well in that. But no, Rupert Lowe really has become a household name within the last, I'd say, three or four months.

[00:50:27] And before, he certainly wasn't. Unless he was interested in politics, interested in the political sphere, then you wouldn't really know who Rupert Lowe was. But I think it's fair to say now that Restore Britain definitely have established themselves. And they are providing a tent for all nationalists across the United Kingdom to sort of get under and provide momentum to. So I hope Rupert will do it. I'm a Restore member.

[00:50:58] When it comes to membership figures, Restore Britain is the fourth largest party in the country. So there's 140,000 and the party is only about five or six months old, which is enormous, absolutely enormous in such a short period of time. So Rupert definitely has a lot of momentum behind him at the minute. While we breathe, we hope. Or is it the other way around? What's the Latin saying there? I believe I got it right.

[00:51:27] That is one of the mottos for the state of South Carolina, which, by the way, Nick, you have been there and I am there regularly. There is a lesson party going on at Dixie Republic tonight. They're grilling out. A lot of the jolly boys there, they are tuned in and say hello. So we'll pass that along to you. And I would just say this. I mean, what one man can do, another can do. Things can happen. Things can change. I mean, you go back. Forget even a man. I mean, Boudicca. I mean, this really happened.

[00:51:56] I mean, you had the Romans, what, raped two of her daughters. She raised an army of tens of thousands and threw the Romans off the island. I mean, this was a woman. And she didn't have telephone. She didn't have Twitter. She didn't have emails. But there needs to be that fighting spirit alive somewhere. Somewhere it has to be. But, boy, I mean, the system does have antibodies, and they are very resilient to anybody that is looking to upset the status quo.

[00:52:26] But for the sake of the survival of the greatest race and most benevolent, good, artistic, we were talking about the blossoms of the Occidental world with Sasha Ross Mueller earlier this hour. I mean, that people that has created so much beauty and so much good, and given the world civilization, we cannot go out like this. And how many more must die? You know, it's too many already. None of it. All of it. Completely avoidable.

[00:52:53] I mean, just any common sense would have kept people like this out of our communities and out of our nations. But if it takes something like this, if it takes something like this, if I knew that it could be me but the whole world would change as a result of my death, then I would offer myself. And so easy to say when it's not. But I would. And, you know, hopefully these people deserve no less. They deserve lasting change that will forever better their nations as a result of their death.

[00:53:23] I'm talking about Zarina Arutzka and Henry Novak and the untold millions of others that have died as a result of multiculturalism and the joys of diversity. Nick, thank you again for coming back with us twice in seven days. Final word to you before the music plays. Thank you for having me on, James. And I'll say hello to the jolly boys. I wish I was there in South Carolina with them, having a beer or two. But I'm off to bed instead. But thanks for having me on, James.

[00:53:51] And thanks for covering Henry's death. And thanks to everyone in the U.S. that has really put it out there on social media. And not just the U.S., but all across the Western world. So, and Henry hasn't, we make sure that Henry's death hasn't been in vain. We are you and you are us. And before we were Southerners, we were Englishmen and we were Scotsmen. And that's where we came from. It's still near and dear. It's the mother country and the mother continent. Thank you so much, Nick. Mark Webber standing by.

[00:54:21] Leonardo Gianni coming up later tonight in our third hour making her debut appearance. Don't miss it. She's a firecracker. Stay tuned, everybody. Thank you, Nick. Thank you, Nick.